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welcome about bio curriculum vitae book of gotanda gallery productions personal film & video living library plays music/performance interviews in the news contact teaching welcome about bio curriculum vitae book of gotanda gallery productions personal film & video living library plays music/performance interviews in the news contact teaching top welcome about bio curriculum vitae book of gotanda gallery productions personal film & video living library plays music/performance interviews in the news contact teaching blog index the journal that this archive was targeting has been deleted. please update your configuration. navigation links login welcome to the official website of philip kan gotanda the dream of kitamura playhouse production zellerbach playhouse april 20-29, 2018 friday & saturday –8p; sunday–2p buy tickets cal students, staff & faculty, & seniors: $13 online in advance, $15 at the door . id required. general admission: $18 online in advance, $20 at the door . review by theatrius: click here written and directed by philip kan gotanda playhouse production april 20-29 // zellerbach playhouse when lord rosanjin dreams the demon kitamura is coming to kill him, his horror is so profound that he hires two bodyguards to defend him against his own hallucinations. but are they who they appear? and what of the icy, repressed lady zuma and his petulant daughter otsu? something rots in the house of rosanjin. for this mythic fever dream, gotanda—revisiting one of his early works—collaborates with choreographer katie faulkner to weave a high and low brow tale of how love kills love. ------------------------------------------------------------------------------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------------------------------------------------- deepen the conversation with reorient forum presented in tandem with the reorient 2017 festival of short plays , reorient forum includes two free panel discussions featuring master artists, as well as post-performance conversations with reorient artists and special guests. saturday, november 25, 4-6pm centering the margins: immigrant voices and brown bodies claiming the narrative for years — some might say centuries — america’s narratives have focused on the experience of white bodies as told through the eyes of the colonizer, framing the place of brown bodies in the process. what happens when we reorient our perspective? how do we shift the reference point away from a white narrative? how do we negotiate differences of experience and perspective within marginalized communities? (presented in association with usf) participants: eugenie chan, edris cooper-anifowoshe, roberto gutiérrez varea, philip kan gotanda , lauren spencer, eric ting, and torange yeghiazarian potrero stage ( 1695 18th street, san francisco ) free and open to the public saturday, december 2, 4-6pm dramaturgs reorient: contextualizing the middle east for american audiences master bay area dramaturgs share challenges and successes of their work with middle eastern writers and plays. (presented in association with lmda) patricipants: nakissa etemad and jayne wenger, amongst others potrero stage ( 1695 18th street, san francisco ) free and open to the public reorient 2017 seven short plays. one unforgettable evening of theatre. think you know the middle east? think again. reorient 2017 will turn san francisco into a mecca for innovative, spirited, and thought-provoking theatre from or about the middle east. nowhere else will you find plays and artists from armenia, india, iraq, iran, japan, lebanon, palestine, syria, tunisia, turkey, united kingdom, and the u.s. all on one stage. through december 10 potrero stage ( 1695 18th street, sf ) ----------------------------------------------------------------------------------------------------------------------------- yohen by philip kan gotanda, produced by east west players and the robey theatre company friday, july 28, 2017 yohen examines the challenges facing james, an african-american world war ii veteran, and his japanese wife, sumi, after more than 30 years of marriage. in order to come to terms with the years of miscommunication and disappointment that have driven her from her husband, sumi bans james from their house, forcing him to “start from the beginning” and reignite their courtship by visiting her as if it were a first date. the play explores how cultural misunderstanding and family tensions have transformed the couple’s relationship—just as pottery is transformed and sometimes damaged during the firing process. in japanese, such kiln changes are called yohen , and the results are as complex and unpredictable as the evolution of a marriage. in the end, it is up to the viewer to decide whether or not the creation has been made more beautiful by the imperfection. danny glover as james washington and june angela as sumi washington star in the robey theatre company and east west players’ production of philip kan gotanda’s yohen, directed by ben guillory. photo by michael lamont. for more information on yohen, click here 2003 program notes for act production of yohen ...”accident in firing that results in the transformation of the pot”... - hiroshi seto - playwright’s notes -- the original draft of yohen was written quite a few years ago. it was inspired by research i was doing at the time on the topic of japanese war brides, and, the desire to write a theatrical response to my play the wash which turned on the wife’s final decision, as opposed to the husband’s, at the end. with the initial writing of yohen, i was enthused about the possibilities for the piece. issues of cultural intersection expanded the world of my usual themes. however, after submitting the draft to the commissioning theater i received only a form letter stating they had no interest. though never stated, i had the impression it was because of the nature of the material - a black and japanese interracial marriage. perhaps it was the time, when the racial dialogue was still exclusively black and white and didn’t include an african american-japanese american story in this company’s vision of theater. i put the piece away and began to work on other things. and yet yohen, in an always unexpected manner, would surface. i had a director acquaintance who had shown the piece to the actor, danny glover, who became intrigued by the interracial take on family. my friend, the late actress nobu mccarthy, was in town so we arranged an informal reading at the house with danny and nobu. it went well and there was excitement about what we might do with the piece. avenues didn’t open readily and people became otherwise engaged. yohen fell to the way side. it surfaced next as a reading at act in san francisco during joy carlin’s tenure as artistic director, with nobu and stephen anthony jones reading this time. we discussed its future, stephen being particularly enthusiastic, then it once again was set aside. a few years later, we workshopped it at berkeley repertory - two times i believe - and it was announced as part of their upcoming season. because of my reservations about the piece not being quite right yet, tony taccone honored my wishes and withdrew it from the season. then a year or so later danny glover returned to the picture. i got a call from him that he wanted to develop it into a half hour show for a series he was producing for one of the big cable stations. that ultimately fell through but it re-ignited both our interests in doing it on stage. we called around, chased down leads. danny, nobu and i even schlepped ourselves to ny where we were invited to read it at the public. leads eluded us. then, after much planning, un-planning, and planning again, it was produced on stage at east west players in co-production with the robey theatre company in los angeles. of course, starring nobu and

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http://www.philipkangotanda.com/in-the-news/
http://www.philipkangotanda.com/productions/shinsai-project/
http://www.philipkangotanda.com/login/?returnurl=%2f
http://www.philipkangotanda.com/links/
http://www.philipkangotanda.com/productions/
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http://www.philipkangotanda.com/audio/
http://www.philipkangotanda.com/film-and-video/
http://www.philipkangotanda.com/plays/
http://www.philipkangotanda.com/interviews/
http://www.philipkangotanda.com/book-of-gotanda/
http://www.philipkangotanda.com/curriculum-veritae/
http://www.philipkangotanda.com/bio/
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Domain Name: PHILIPKANGOTANDA.COM
Registry Domain ID: 6431361_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.networksolutions.com
Registrar URL: http://networksolutions.com
Updated Date: 2013-02-15T04:15:19Z
Creation Date: 1999-05-11T04:28:52Z
Registry Expiry Date: 2022-05-11T04:29:26Z
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Registrar IANA ID: 2
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8003337680
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Name Server: NS15.WORLDNIC.COM
Name Server: NS16.WORLDNIC.COM
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  REGISTRAR Network Solutions, LLC.

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  ARGS domain =philipkangotanda.com

  PORT 43

  TYPE domain

DOMAIN

  NAME philipkangotanda.com

  CHANGED 2013-02-15

  CREATED 1999-05-11

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